Tag Archives: Smash It Up

Week 33 – TBT 2017 – London Calling


Sticking with the punk theme from last week, I thought I’d share this classic track from The Clash.  Not just because the bassline is excellent, but because the photo that goes with it has become iconic in its own right.  

Paul Simenon is in the process of smashing his bass – presumably at the end of the gig – and I think the image has such powerful energy and makes a statement all on its own.  

I played this track with a covers band a few years back, and had it as my ringtone for ages (I now have an AC/DC tune, but that’s for another week!).  For all that the bassline is a classic, and is so much fun to play, I can also state from experience that if the guitarists don’t play with some attitude the song becomes a bit bland. The song is crying out to be played with passion, with a swagger, and if you don’t play it that way it loses a lot of its power.  

I should probably state for posterity that, for all I like(d) punk, I was never a massive fan of The Clash.  They just didn’t seem to “do it” for me in the same way that other bands – notably SLF, the Sex Pistols, The Damned or Siouxsie and the Banshees – did.  It’s almost heresy to admit that, according to some fans, but we all like what we like, right?  

Anyhow, here it is: enjoy! 

London Calling – The Clash

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Week 23 – TBT 2017 – Smash It Up


Did you know that the first punk single released in the UK was New Rose by The Damned? Or that their brilliant double LP, The Black Album, had one side which was recorded live and which isn’t included in the CD version? I listen to that album a lot, and really missed the live side – until I found Spotify. Smash It Up (Parts I and II) is on there, and for as long as I can remember I’ve loved the bass line in Part I.  

This version on the video is a studio version, but it’s almost as good as the live one.  

I was lucky enough to see The Damned when I was in my teens. They released their Friday the 13th EP on the same day as I saw them, and the gig was memorable for a couple of reasons. There was a power cut during it, so Rat Scabies (the drummer) played a 10 or 15 minute solo while they got everything working again. Captain Sensible (guitarist) swapped his jacket with someone in the crowd because his original mohair one looked to be covered in spittle (not mine!) as was kind of customary (and gross) at punk gigs in those days. The support act was the Anti-Nowhere League, who found notoriety by having the B-side of their Streets of London single banned as an obscene publication, and they were very growls and menacing. 

I still follow The Damned and Captain Sensible on Facebook, though I’ve not seen them since the very early 80s. Listen to the track, and see if you can hear why I think the bassline is brilliant. 

Smash It Up (Parts I and II) – The Damned