Another week has gone by, and another music icon has taken his own life. Chester Bennington, lead singer with Linkin Park, hanged himself on what would have been his good friend Chris Cornell’s birthday. Cornell hanged himself in May of this year, and Bennington sang at his funeral. Both of them had gigs coming up in the next few days.
As part of my TBT posts this year I included a track from Audioslave, one of Cornell’s bands, in January. Linkin Park featured last month, and at the time I was unaware that the two singers were friends.
It’s hard to imagine what circumstances can have led two supremely talented and adored people to have felt that suicide was their only option, their only way to stop the feelings they had at that time. Dee and I have discussed it a lot since the news came out, as she felt a real connection with Linkin Park. We’re still no closer to having the answer, and I guess we’ll never know.
They join a long list of stars who have died before they’ve got old, who have either deliberately or accidentally taken their own lives. At what point will society stop to wonder why that might be, why these individuals have felt so lost and so alone that death becomes their only real answer? I think society needs start asking those questions sooner rather than later.
If you’re in the UK and are having suicidal thoughts, please contact The Samaritans using the contact details below. If you’re elsewhere, please reach out and talk to someone, find those people who are there to help.
Still playing catch up here, with this classic by Audioslave. Tim Commerford’s bass line is just awesome – I love trying to play along with this!
Show Me How To Live – Audioslave
I’ve always been “into” music and, despite a brief time in my teens when I wanted to be drummer, bass lines are what really hook me. It’s no coincidence that my favourite playlists include great bass, and even the songs that I want to play in a covers band also feature bass heavily. For years I’d loved the playing of the likes of Ali McMordie from SLF, Tim Commerford from Rage Against the Machine / Audioslave and Donald “Duck” Dunn from Stax records / Blues Brothers, and I wanted to be able to play what they did.
Saying all that, I didn’t actually start learning till I was in my late 30s, so I had a lot of catching up to do. Somehow I managed to find time to practice for 60-90 minutes four or five nights a week, and an hour long lesson every weekend. My practice and lessons always followed the same sort of structure: scales, homework (generally new pieces from various tutorial books) and finally jam / playalong.
- Scales etc are boring to do, but so important, as they are the basis for any new lines you want to be able to play
- Tutorial books – especially those with playalong CDs – are also good, particularly if you want to learn multiple styles eg funk, reggae, rock, jazz etc. I worked through the three books written by David Overthrow – they’re brilliant
- Jamming to a drumbeat with my teacher – he played guitar – using lines I’d learned in the lesson or improvising new ones, and playing along with music CDs helped build confidence and complemented the styles I’d been learning
One of the brilliant things about this approach was learning about new players too. Jack Bruce from Cream and John Paul Jones from Led Zeppelin came to my attention, as did TM Stevens. One of my playalong sessions was in the style of TM and, to be honest, I’ve never managed it. Check out this video and you may see why.
I love the bit around 1:45 in when he’s introducing himself and has to stop talking, just plays then says “I’m back!”. That’s the result of a lot of practice! I’m going to keep trying, though I don’t practice as much as I used to, and one day I hope to be able to play at even 1/10th of the speed he does!